We fuse science and sound. Every plugin, preset and sample pack is built around an element of the periodic table, for producers who want their low end, their drums and their sequences to hit like a reaction.
Ready to ignite the sound universe? Explore the elemental collection and experience the alchemy of sound. Your next cosmic explosion awaits.
Our plugins, presets and sample packs are designed for the visionary producer, each one inspired by an element of the periodic table.
Every plugin keeps growing. New presets, new controls, better performance, delivered as a free and lifetime update to everyone who already owns it.
Oxygen Bass 1.2 expands the library with 27 ready-to-use bass presets, giving you a wider range of sounds to work with straight away.
Finding the right bass sound is now faster, clearer and more intuitive.
Hydrogen Kick 1.1 expands the library with 15 brand-new kick presets and tightens the plugin under the hood.
An update focused on expression and precision, for Psytrance basslines that cut through the mix. Available for Mac (AU/VST) and PC (VST).
Pro Audio Elements started where two obsessions meet: music and technology. Founded by Gabriel Neves, Fernando Seca and Miguel Letria, it grew out of a simple frustration — most tools built for producers solve one problem and quietly create three more. Crowded menus, long learning curves, a dozen parameters for a decision that should take two seconds.
Our mission runs the other way: build tools that solve real problems directly, so producers spend their energy where it counts — on the creative work, not the setup. Everything we release has to pass the same test before it ships: does this get you closer to the sound already in your head, or does it just add one more step between you and the music?
We develop VST3 and AU plugins for Windows and Mac, preset packs and sample libraries — now in the hands of more than 1,500 active producers, in studios and bedrooms around the world. The team behind it stays small on purpose: it keeps us close to the people using what we make, hearing the feedback directly and moving fast on it.
